By |Louanne Christopher
Imagine a beautiful Black woman, dressed as a super-hero in a curve-hugging suit, up swept dreadlocks and patent leather thigh-high boots rescuing the traditional image of Aunt Jemima and Uncle Ben from their old faithful poses. Imagine the same woman as a 40-year-old contemporary photographer – she is the hero, the model and the artist- Renee Cox. The Baltimore Museum of Art includes her work as part of their ongoing exhibition, “Looking Forward, Looking Black.” Ms. Cox’s photographic art has caused some controversy as she caught the ire of New York’s Mayor Rudy Giuliani who claimed it was “disgusting” and “outrageous.” Indeed, some may find her work audacious, but it is definitely thought provoking and, as part of this collection, it is a must-see.
A particularly interesting piece in the exhibit, “Hott en Tot,” features the artist herself as the model, naked except for over sized metallic prosthetic breasts and buttocks. The inspiration for her strange appendages is explained in the illustrated side-note, detailing the very real and more outrageous history of the ‘Hottentot Venus.’ The Hottentot Venus, whose real name was Sara Baartman, was an African woman cajoled by Dutch traders in Capetown in the 1800s to go to France where she was paraded as a side-show freak, because of her excessively-large bottom and unusual genitalia. Ms. Baartman was not only ridiculed in life by the Europeans who ogled at her African features, but even her dead body was plastered and dissected, and her body parts remained on display in a French museum until the 1980’s!
Ms. Cox’s contemporary reworking of the Hottentot caricature sends a message to African-American females, who still allow themselves to be paraded and showcased on account of their body shapes, and to the hip-hop society that encourages this. Daily, in inane music videos, broadcasted even in our refectory, the same body parts are highlighted infinitely. Instead of being crowd spectacles, shouldn’t we demand more respect for the beauty of the black female form, complete with its natural largesse than to have our well-endowed sisters be ogled like Ms. Baartman? Renee Cox’s work challenges us not to ogle her prostheses or her nakedness, but to see the message behind it. She does not cower in shame as the Hottentot Venus did… no, she looks proudly out the frame and knows herself to be blessed and demonstrates her own pride – as she tries to rescue Black America from self-exploitation. If we could share her love and pride in those features, be they thunderous thighs, thick calves, bountiful breasts or just too much “booty,” we could proudly rename ourselves “Black Venuses.”
Victims Speak Out About North Carolina Sterilization Program, Which Targeted Women, Young Girls and Blacks
By |Michelle Kessel and Jessica Hopper
Elaine Riddick was 13 years old when she got pregnant after being raped by a neighbor in Winfall, N.C., in 1967. The state ordered that immediately after giving birth, she should be sterilized. Doctors cut and tied off her fallopian tubes.
“I have to carry these scars with me. I have to live with this for the rest of my life,” she said.
Riddick was never told what was happening. “Got to the hospital and they put me in a room and that’s all I remember, that’s all I remember,” she said. “When I woke up, I woke up with bandages on my stomach.”
Riddick’s records reveal that a five-person state eugenics board in Raleigh had approved a recommendation that she be sterilized. The records label Riddick as “feebleminded” and “promiscuous.” They said her schoolwork was poor and that she “does not get along well with others.”
“I was raped by a perpetrator [who was never charged] and then I was raped by the state of North Carolina. They took something from me both times,” she said. “The state of North Carolina, they took something so dearly from me, something that was God given.”
It wouldn’t be until Riddick was 19, married and wanting more children, that she’d learn she was incapable of having any more babies. A doctor in New York where she was living at the time told her that she’d been sterilized.
“Butchered. The doctor used that word… I didn’t understand what she meant when she said I had been butchered,” Riddick said.
North Carolina was one of 31 states to have a government run eugenics program. By the 1960s, tens of thousands of Americans were sterilized as a result of these programs.
Eugenics was a scientific theory that grew in popularity during the 1920s. Eugenicists believed that poverty, promiscuity and alcoholism were traits that were inherited. To eliminate those society ills and improve society’s gene pool, proponents of the theory argued that those that exhibited the traits should be sterilized. Some of America’s wealthiest citizens of the time were eugenicists including Dr. Clarence Gamble of the Procter and Gamble fortune and James Hanes of the hosiery company. Hanes helped found the Human Betterment League which promoted the cause of eugenicists.
It began as a way to control welfare spending on poor white women and men, but over time, North Carolina shifted focus, targeting more women and more blacks than whites. A third of the sterilizations performed in North Carolina were done on girls under the age of 18. Some were as young as nine years old.
For the past eight years, North Carolina lawmakers have been working to find a way to compensate those involuntarily sterilized in the state between 1929 and 1974. During that time period, 7,600 people were sterilized in North Carolina. Of those who were sterilized, 85 percent of the victims were female and 40 percent were non-white.
“You can’t rewind a watch or rewrite history. You just have to go forward and that’s what we’re trying to do in North Carolina,” said Governor Beverly Perdue in an exclusive interview with NBC News.
While North Carolina’s eugenics board was disbanded in 1977, the law allowing involuntary sterilization wasn’t officially repealed until 2003. In 2002, the state issued an apology to those who had been sterilized, but the victims have yet to receive any financial compensation, medical care or counseling from the state. Since 2003, three task forces have been created to determine a way to compensate the victims. Officials estimate that as many as 2,000 victims are still alive.
Riddick was one of several victims to speak at a public hearing this summer. It was the first time that many survivors had told their stories publicly and that others heard of North Carolina’s tarnished past.
“To think about folks who went in…and their doctor told them this was birth control and they were sterilized…the folks who didn’t have the capacity to make the decisions, the uninformed consent,” said Perdue. “Those types of stories aren’t good for America and I can’t allow for this period in history to be forgotten, that’s why this work is important.”
Only 48 victims have been matched with their records, something necessary for them to eventually be compensated. State Representative Larry Womble has been advocating for the survivors of the state’s sterilization program for nearly 10 years. He helped fight for the repeal of the state’s law.
Womble said that if the government is “powerful enough to perpetrate this on this society, they ought to be responsible, step up to the plate and compensate.”
In August, a task force created by Gov. Perdue recommended that the victims be compensated, but they were unsure how much to award the victims. Previous numbers pondered range between $20,000 and $50,000. The task force also recommended mental health services for living victims and a traveling museum exhibit about North Carolina’s eugenics program.
Perdue said it’s a challenge to determine how much money each victim should be given.
“From my perspective, and as a woman, and as the governor of this state, this is not about the money. There isn’t enough money in the world to pay these people for what has been done to them, but money is part of the equation,” she said.
Riddick once sued North Carolina for a million dollars. Her case made it all the way to the Supreme Court of the United States, but the court declined to hear the case. “I would like for the state of North Carolina to right what they wronged with me,” she said.
Some victims and their advocates have questioned whether North Carolina is procrastinating in compensating them, hoping they’ll die before a solution is reached. “It’s an ugly chapter in North Carolina’s book, we have a wonderful book, but there’s an ugly chapter,” Womble said. “We must step up to the plate and we must realize and take responsibility.”
Perdue, for her part, said that she is committed to helping the victims.
“I want this solved on my watch. I want there to be completion. I want the whole discussion to end and there be action for these folks. There is nobody in North Carolina who is waiting for anybody to die,” Gov. Perdue said.
Despite the state social workers who declared Riddick was “mentally retarded” and “promiscuous”, she went to college and raised the son born moments before she was sterilized. Her son is devoted to his mother and a successful entrepreneur.
Elaine is proud of her achievements.
“I don’t know where I would be if I listened to the state of North Carolina,” she said.
Editor’s note: Dr. Nancy Snyderman’s full broadcast report, ‘State of Shame’, airs Monday, November 7, at 10pm/9c on Rock Center.
By |Maya Angelou
Pretty women wonder where my secret lies.
I’m not cute or built to suit a fashion model’s size
But when I start to tell them,
They think I’m telling lies.
It’s in the reach of my arms
The span of my hips,
The stride of my step,
The curl of my lips.
I’m a woman
I walk into a room
Just as cool as you please,
And to a man,
The fellows stand or
Fall down on their knees.
Then they swarm around me,
A hive of honey bees.
It’s the fire in my eyes,
And the flash of my teeth,
The swing in my waist,
And the joy in my feet.
I’m a woman
Men themselves have wondered
What they see in me.
They try so much
But they can’t touch
My inner mystery.
When I try to show them
They say they still can’t see.
It’s in the arch of my back,
The sun of my smile,
The ride of my breasts,
The grace of my style.
I’m a woman
Now you understand
Just why my head’s not bowed.
I don’t shout or jump about
Or have to talk real loud.
When you see me passing
It ought to make you proud.
It’s in the click of my heels,
The bend of my hair,
the palm of my hand,
The need of my care,
‘Cause I’m a woman