We Real Cool

By |Gwendolyn Brooks

 

The Pool Players.

Seven at the Golden Shovel.

 

We real cool. We

Left school. We

 

Lurk late. We

Strike straight. We

 

Sing sin. We

Thin gin. We

 

Jazz June. We

Die soon.

27.08.11
The Road Not Taken |Robert Frost

I shall be telling this with a sigh Somewhere ages and ages hence: Two roads diverged in a wood, and I— I took the one less traveled by, And that has made all the difference.

The Road Not Taken |Robert Frost

I shall be telling this with a sigh
Somewhere ages and ages hence:
Two roads diverged in a wood, and I—
I took the one less traveled by,
And that has made all the difference.

28.08.11

The Black Man’s Burden (A Reply Rudyard Kipling)

By |Hubert Harrison

 

Take up the Black Man’s burden—-

Send forth the worst ye breed,

And bind our sons in shackles

To serve your selfish greed;

To wait in heavy harness

Be-devilled and beguiled

Until the Fates remove you

From a world you have defiled.

 

Take up the black Man’s burden—-

Your lies may still abide

To veil the threat of terror

And check our racial pride;

Your cannon, church and courthouse

May still our sons constrain

To seek the white man’s profit

And work the white man’s gain.

 

Take up the Black Man’s burden—-

Reach out and hog the earth,

And leave your workers hungry

In the country of their birth;

Then, when your goal is nearest,

The end for which you fought

Watch other’s trained efficiency

Bring all your hope to naught.

 

Take up the Black Man’s burden—-

Reduce their chiefs and kings

To toil of serf and sweeper

The lot of common things:

Sodden their soil with slaughter,

Ravish their lands with lead;

Go, sign them with your living

And seal them with your dead.

 

Take up the Black Man’s burden—-

And reap your old reward;

The curse of those ye cozen,

The hate of those ye barred

From your Canadian cities

And your Australian ports;

And when they ask for meat and drink

Go, girdle them with forts.

 

Take up the Black Man’s burden—-

Ye cannot stoop to less.

Will not your fraud of “freedom”

Still cloak your greediness?

But, by the gods ye worship,

And by the deeds ye do,

These silent, sullen peoples

Shall weigh your gods and you.

 

Take up the Black Man’s burden—-

Until the tail is told,

Until the balances of hate

Bear down the beam of gold.

And while ye wait remember

The justice, though delayed

Will hold you as her debtor

Till the Black Man’s debt is paid.

 

From When Africa Awakens (New York, 1920)

04.09.11
I am a Negro:
Black as the night is black,
Black like the depths of my Africa.”
|Langston Hughes
 (via black-culture)
13.11.11
Powerful Feminist Poetry....
15.11.11

Phenomenal Woman

By |Maya Angelou

Pretty women wonder where my secret lies.
I’m not cute or built to suit a fashion model’s size
But when I start to tell them,
They think I’m telling lies.
I say,
It’s in the reach of my arms
The span of my hips,
The stride of my step,
The curl of my lips.
I’m a woman
Phenomenally.
Phenomenal woman,
That’s me.

I walk into a room
Just as cool as you please,
And to a man,
The fellows stand or
Fall down on their knees.
Then they swarm around me,
A hive of honey bees.
I say,
It’s the fire in my eyes,
And the flash of my teeth,
The swing in my waist,
And the joy in my feet.
I’m a woman
Phenomenally.
Phenomenal woman,
That’s me.

Men themselves have wondered
What they see in me.
They try so much
But they can’t touch
My inner mystery.
When I try to show them
They say they still can’t see.
I say,
It’s in the arch of my back,
The sun of my smile,
The ride of my breasts,
The grace of my style.
I’m a woman

Phenomenally.
Phenomenal woman,
That’s me.

Now you understand
Just why my head’s not bowed.
I don’t shout or jump about
Or have to talk real loud.
When you see me passing
It ought to make you proud.
I say,
It’s in the click of my heels,
The bend of my hair,
the palm of my hand,
The need of my care,
‘Cause I’m a woman
Phenomenally.
Phenomenal woman,
That’s me.

(Source: poetryfoundation.org)

26.11.11

I Know Why The Caged Bird Sings

By |Maya Angelou

The free bird leaps
on the back of the win
and floats downstream
till the current ends
and dips his wings
in the orange sun rays
and dares to claim the sky.

But a bird that stalks
down his narrow cage
can seldom see through
his bars of rage
his wings are clipped and
his feet are tied
so he opens his throat to sing.

The caged bird sings
with fearful trill
of the things unknown
but longed for still
and is tune is heard
on the distant hillfor the caged bird
sings of freedom

The free bird thinks of another breeze
an the trade winds soft through the sighing trees
and the fat worms waiting on a dawn-bright lawn
and he names the sky his own.

But a caged bird stands on the grave of dreams
his shadow shouts on a nightmare scream
his wings are clipped and his feet are tied
so he opens his throat to sing

The caged bird sings
with a fearful trill
of things unknown
but longed for still
and his tune is heard
on the distant hill
for the caged bird
sings of freedom.

26.11.11
visual-poetry:

Projections by jenny holzer in tongeren (2004)
09.12.11

Now you understand,
Just why my head’s not bowed.
I don’t shout or jump about,
Or have to talk real loud.
When you see me passing,
It ought to make you proud.

Cause I’m a woman,
Phenomenally.
Phenomenal woman,
That’s me.”

|Maya Angelou

From the poem, Phenomenal Woman

(Source: poemhunter.com)

05.01.12

The River-Merchant’s Wife: A Letter

By |Li Po (701-762)

Translated from the Chinese by Ezra Pound

While my hair was still cut straight
across my forehead
I played at the front gate, pulling flowers.
You ca by on bamboo stilts, playing horse,
you walked about my seat playing with blue plums.
And we went on living in the village of Chokan:
two small people, without dislike or suspicion.

At fourteen I married my Lord you.
I never laughed, being bashful.
Lowering my head, I looked at the wall.
Called to, a thousand times, I never looked back.

At fifteen I stopped scowling,
I desired my dust to be mingled with yours
forever and forever and forever.
Why should I climb the lookout?

At sixteen you departed,
you went into far Ku-to-en,
by the river of swirling eddies,
and you have been gone five months.
The monkeys make sorrowful noise overhead.

You dragged your feet when you went out,
by the gate now, the moss is gown,
the different mosses,
too deep to clear them away!
The leaves fall early this autumn, in wind.

The paired butterflies are already yellow with August
over the grass in the West garden;
they hurt me. I grow older.
If you are coming down through the narrows
of the river Kiang,
please let me know beforehand,
and I will come out to meet you as far as Cho-fu-sa.

29.01.12